L1GHTB1TES

Anders Petersen . Photographer

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As I am sitting down to edit our conversation with Anders Petersen, I realize that it turned out to be much briefer than what I was hoping for. While at first I felt disappointment, I have come to understand, that his words are like his photography: he has the power that only true artists and scientists have, the ability to tell you volumes with just a few words. And so, I now understand that his dialogue with me is not only about a mysteriously intimate portrait of a woman, but a lesson in being concise and to-the-point.

GL: Can you tell me about how you took this picture? How is this image part of your Rome? I’d like to know more about the context in which you took this photo.

AP: What counts is meeting people and asking questions. On the streets or in bars, sometimes in somebody’s home, yes, anywhere. I don’t know how I take the pictures, they are less important, what I like is the meeting, the identification and the learning process and, of course, the communication.

GL: As it is with all good pictures, it’s hard, if not impossible to say why the moment they catch is so powerful. How do you get ready for such moments? And how do you make sure that the image is going to be okay technically?

Petersen Anders - Rome, A Diary 2005 3AP: It’s not about a good or a bad picture. It’s more about being believable. When I feel the temperament and the emotions of the person behind the picture, then it works even if it’s technically bad. It’s simple: photography isn’t about photography. You ask about shooting mood. It’s back to basic. Being curious and motivated and then it’s all about your focus. And innocent enough.

GL: What’s your attitude towards preparation before the shoot? Or do you rather improvise and react freely to what’s in front of you?

petersen-anders-19AP: No preparations. I need a working camera and a lot of films. I have no fantasy, it has been the same all the time.

GL: What camera did you use?

AP: I mostly use a Contax T3. It’s a simple, small, analogue camera with a sharp 35 mm lens. I prefer small tools I can have in my pocket.

GL: How do you measure ligh? Manually?

AP: When you have been shooting for some years you train yourself in different lights, so I don’t measure it. It’s become a kind of habit.

GL: How were you focusing? Manually? AF?

AP: Nowadays AF.

GL: What about lighting? What time of day did you take this picture? Is it “found” light or did you light this scene?

AP: I like available light. Sometimes flashlight. And mixing sun and flash. This picture is from the late afternoon inside the apartment.

GL: How much do you usually work with with your stills in ‘post’? What about this image – could you talk about the relationship of the original and the final output?

AP: I have no rules, but I keep the negative format. I really don’t understand why, it’s disturbing. I print until something is coming out, trying many different ways and also using bleach.

GL: What do you like about this picture most?

AP: The presence.

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p.s.: I liked Anders’ answers a lot and was hungry for more and more so I kept on asking. And while this is not something that I’d normally do, I cannot help but quote his last email to me:

“I think it’s fine you are showing interest. But my writing is poor and my English is even worse. So it takes too much time. Another thing, I have difficulties in explaining how and why I’m shooting. I’m sorry, but I’m more a photographer than a writer.

Best regards,
Anders”

And so, dear Anders, here is my private public reply to you:

“Thank you. And that has been the whole point. That you’re a Photographer.”

(To see more of Anders Petersen’s pictures visit his website at www.anderspetersen.se. All images © Anders Petersen and are reproduced with the permission of the author.)

György is a cinematographer teaching photography courses in London. To book a class or for more information visit www.dslrphotographycourses.com.

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Posted: July 1, 2013

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35mm, analogue, black and white, Contax, Rome